A la velocidad de la luz por favor…
Black and white horror blog.
to the b o n e || a mix for margot verger; the sister to all, the victim, the fighter, the survivor.
01. silver | the neighbourhood / 02. to the bone | mirel wagner / 03. feral love | chelsea wolfe / 04. bravado | lorde / 05. special death | mirah / 06. becomes the color | emily wells / 07. tiff | polica (feat. justin vernon) / 08. the mother we share | chvrches / 09. talk to me | porcelain raft / 10. flowers (the micronauts remix) | magic pop hotel / 11. gun | emiliana torrini / 12. hero | regina spektor / 13. help i’m alive | metric / 14. blue monday | flunk / 15. home | foxes / 16. old yellow bricks | arctic monkeys / 17. the greatest view | flume (feat. isabella manfredi) / 18. black milk | massive attack / 19. switchblade | phildel
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Nada mejor, que la sonrisa de un negro por las mañanas x3
This official art, representing the end of Kuroshitsuji, for its characters is one of my favorites, for it captures what the end is for each group. Ciel and Sebastian are departing with pensiveness, and Ciel is looking determinedly in his direction, which is very much how he moves in his regular life in canon, showing that once he had been changed, he likely will not ever change again, since making the contract with Sebastian was the last major decision he would mark in his life, considering it is officially the hourglass that numbers his days from that moment forth. In the drawing, Ciel and Sebastian look very much as they are in the manga, focused on their paths. On the Trancy side on the other hand, they are all very much focused on each other. They appear to be engaging in light, happy, lively interaction, for the end for them is — that Alois, the center of it all, finally attains the love and companionship he’s needed and desired all his life.